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The appreciation of nature, antiquities, history, topography, unusual settings and the unique interesting life of natives was an intrinsic part of the cultural and artistic outlook of the Britishers and Europeans who traveled to India. Not only theprofessional artists but also travelers and residents undertook the enthusiastic drawing and painting of all that they saw and encountered during their stay in India.

The cityscapes and panoramic views were the predominant subjects of these illustrations.

The topographical prints were not only grand and magnificent to look at, they also documented the area's and city's layouts and brilliantly expressed the driving spirit of the city . Although a majority of these prints were created as artistic pictures to be displayed and enjoyed, several also recorded the cultural, historical and scientific aspects of India.

These landscapes and topographical prints were intended to be very picturesque and artistically excellent -often made in large sizes to be displayed in frames and admired, their magnificent presence replacing paintings on the walls.


Calcutta was the principal place of the presidency of Bengal and the metropolis of British India. It is situatedon the left bank of river Hoogly, a branch of the Ganges.

The main area was the Esplanade containing the Town Hall, Government House and handsome private dwellings. Above the Esplanade, on the river bank was the Chandpaul Ghat the principallanding place of the city and from this point northwards were the custom house, new mint and other Government houses.

About Topography, Landscapes and Native People

"Topography, Landscapes and Native People" is a collection brought together by Hindoostan Revisited.

The collection is a glimpse into the India of the past or Hindoostan as it was then known.

It is a collection of cultural and historical curiosities of India on paper - the early lithographs, engravings, etchings, aquatints, woodcuts and illustrations on Indian subjects; which are collectively known as prints.

These prints, were made on all aspects of Indian life whether native or European, they depicted the landscapes, historical events, monuments and areas which existed when they were made. These pictures also documented the trades and crafts practiced, the social customs and costumes as well as personages. The natural history of India was carefully researched and documented as well.

The prints are rare and unique collectibles appreciated for their artistic quality and inherent value.

These objets d'art are also used as decor for homes and offices.

The Hindoostan Revisited collection has been curated for those who are interested in the art, history and culture of a bygone era.