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This scene tells about the marriage of Pabuji at Umarkot. Pabuji is doing Toran ritual and pundit is reciting mantras meanwhile other people marriage attending the party are enjoying and boasting happily.

Padma Shri Shree Shrilal Joshi is leading Phad painter among all the other Joshi Artist comes from the Joshi lineage of Chhipa cloth printers and dyers. His sons Kalyan Joshi and Gopal Joshi are also creative artists and they have brought very new approach to Phad Paintings. They have created many paintings in the form of Historical, Religious and Contemporary Art.

They originated from Pur, a village near Bhilwara. Many generations ago their ancestors migrated to Shahpura state founded in 1631 AD. There they painted scenes on the walls and ritual art for the king and local patrons, plus produced phads for singers. The artistic skills were passed down among the men folk of the lineage. This family dispersed late 19th century and in after years it established as a popular art in by crucial efforts of Shree Lal ji Joshi.

Kalyan Joshi

Birth : 5th Oct., 1969
Education : B.Com.
Art Work Experience: Started work with father and Guru Shree Shrilal Joshi from childhood at the age of eight years.

Exhibitions and Workshops & Collection
Crafts Museum, New Delhi
Marudhara Chitrakoot Art Gallery, Kolkata
National Institute of Design, Ahemdabad
British Council, Chennai
Bharat Bhawan, Bhopal
Indian Institute of Craft Design, Jaipur
Nation Folklore Support Center, Chennai
National Institute of Fashion Technology, New Delhi
Indira Gandhi National Culture for Arts, New Delhi
Fine Art College, MS university, Baroda
Paramparik Karigar, Kumar Swami Hall, Mumbai
School of Art & Design, Syrocuse University, New York
Virasat Foundation, Jaipur
Industrial Design Center, IIT, Mumbai
Chitrakala Parishad (Kala Madhyam), Banglore
Snice Institute, Indore
Aurowil, Bharat Niwas, Poondichery
International House, Philadalphia, USA
Asian Art Museum, San Francisco, USA
Jawahar Kala Kendra, Jaipur

Kalyan experimented Phad Painting with new stories and Contemporary style (Collage) and line drawing . He created picture montages with expert of narrative poetry and he has done experiments with character animation. He is founder of "ANKAN" Kala Sansthan, which served thousands of childrens with phad paintings. During 15 years of span of ANKAN, he even organized 30 exhibitions in Bhilwara.

About Phad Chitra : Soul of Rajasthan

Phad is cloth and wall painting that visually depicts the story of the local hero-god. While the story is narrated using songs and dance, the visual impact provided by the phad. Stories of Pabuji and Devnarayanji are popular in Rajathan, especially if they are in Phad style.

To know more about Phad paintings please click here
to enter in the world of Phad paintings.

Phad Paintings : A Brief Introduction

The large-scale horizontal paintings on cloth portraying the epic lives of the local hero-gods are popularly known as Phad paintings. These paintings have the mammoth task of representing a complex and a full blown folk epic narrative, which it achieves through a very specific style of representation, filled with figures and pictorial incidents, these paintings form a kind of dramatic backdrop to epic story telling performances.

Since they depict the different episodes, these paintings are customarily opened or unrolled only after sundown, in conjunction with the all night performance. This could be one reason for these paintings to be called Phad. Which means folds in Rajasthani dialect. The word Phad is possibly derived from Sanskrit word patt. The painters who traditionally engage themselves in the profession of Phad painting are known as Phad painter.

The principal subjects for the paintings are the life of two legendary Rajasthani heroes-Pabuji and Devnarayanji- who are worshipped as the incarnation of lord Vishnu and Laxman. Each hero-god has a different performer-priest or Bhopa. The repertoire of the bhopas consists of epics of some of the popular local hero-gods such as Pabuji, Devji, Tejaji, Gogaji, Ramdevji.The Phad also depict the lives of Ramdev Ji, Rama, Krishna, Budhha and Mahaveera. The iconography of these forms has evolved in a distinctive way. All Phads, no matter which hero-god they present, have certainly similarities.

Every available inch of the canvas is crowded with figures. Another similarity is flat construction of the pictorial space. While the figures are harmoniously distributed all over the area, the scale of figure depends on the social status of the character they represent and the roles they play in the story.

Another interesting feature is that the figures in the paintings do not face the audience; rather, they face each other. These paintings are very wide to accommodate the numerous episodes of the complex stories.

Phad Stories and History

Phad illustrate mostly two popular epic traditions of Rajasthan. There are Phads for other deities, but these are rare. Phads of Ramdevji, a Rajput hero and saint from Marwar who opposed caste discrimination, can be found, is revered by Bhambis, Meghwals, Chamars and other belong to the schedule caste. But the most popular one is about Pabuji Rathore, A Rajput chieftain, whose elder brother rules at Kolu. He is venerated as an incarnation of Lord Rama's brother Lakshman by Rebari camel-herders. The second story is about the twenty four brothers (Bagrawat) and Lord Devnarayan. They are popular among cattle-keeper, farmers and rural craftsman who generally lives in the eastern part of Rajathan. Devnarayan is an incarnation of Lord Vishnu and his story parallels Krishna's story many way. Devnarayan probably lived in the 10th century A.D., Pabuji in 14th century, and Ramdeviji in the 15th century. They all are "Cattle Heroes" who rescued the community's cattle and died as a result. Cattle heroes are collectively known as "Bhomiyo". Only some Bhomiyo become powerful gods and their cult develop epic poems and network of shrines.

Chitrashala: An Introduction

Chitrashla is a pioneer institute for training the different styles of paintings of Rajasthan and especially committed for Phad painting (Mewar Style). More than 2000 students and many research scholars have been skilled so far. Many of them are working professionally. Chitrashala has given many internationally and nationally renowned artists, who have been honored with prestigious awards. Pradeep Mukherjee (National Award, 1985) and Rameshwar Singh (LKA Award) are foremost among them.

Even after 50 years of its foundation, Chitrashala still working efficiently. Before some decades Phad Painting was bounded to the Joshi family only and it was believed that secrets and monopoly of Phad painting must remain in family. So that it was never even taught to daughters of Joshi family but to the Daughters-in law.

During the long span of time this art started to die due to lack of artists, then Shree lal ji Joshi, a world-renowned Phad artist and Padma Shree and Shilpguru award honored, determined to revitalize it. Thus he established “Joshi Kala Kunj” now “Chitrashala” in 1960 to develop new artists outer than Joshi family by breaking all traditional rules and customs.

He, then, initiated Herculean task of making Phad famous at international level. He experimented with various styles, media, new subject and approach. He also carried out numerous workshops and presentations in India and abroad.

Under his guidance his both sons Kalyan Joshi and Gopal Joshi are also contributing to give new dimensions to Phad paintings. Both are honored by National Merit award in 2006. They approach contemporary and Modern themes and subject to Phad Painting. They are now, involved in professional Phad painting. This collection is of paintings by Kalyan Joshi.