A SMALL SITAR

Sandalwood carving

The history of sandalwood carving goes back to many centuries, and a succession of ruling dynasties, impressed with its qualities, conferred on it a royal status. Such patronage ensured that the craft of sandalwood carving flourished and entire families took to this trade, living exclusively off it. The Jangid family from Churu, Rajasthan was deeply involved in this magical art since the Mughal era. Generations after generations have successfully passed on the finesse and dedication required to pursue this difficult art form. The pieces in this collection have been created by Mal Chand Ji Jangid, who was a National Awardee (1971). He died in 1986.

This sitar is carved out of a single block of sandalwood. It is dedicated to Tansen, a prominent Hindustani classical music composer and musician. He was among the Navaratnas (nine jewels) at the court of the Mughal Emperor Akbar. Akbar gave him the title of Miyan (an honorific, meaning learned man). The Sitar in its 10 carvings depicts the life history of Tansen with scenes of him performing, his marriage and his famous competition with Baiju Bawra.
The miniature carvings are very intricate and this piece was completed over a period of 18 months with unmatchable dedication and skill by the craftsman. It was one of a kind piece and the craftsman did not create a similar piece again.

StoryLTD Ref No: 38089
  • Rs 5,00,000 (exc GST)
  • $8,333

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Description

About Folk & Tribal Art

Folk and tribal art in India takes on different manifestations through varied medium such as carving, painting, metalwork, paper-art, weaving and designing of objects such as jewelry and toys. From the Warlis of Maharshtra to the Gond art of Madhya Pradesh, here is a glimpse into this vast abundance. The distinction between Folk and Tribal art is limited and at times overlaps. However, the usage of colors and lines are general indicators of their difference. Each religion and philosophical system provided its own nuances, vast metaphors and similes, rich associations, wild imaginations, humanization of gods and celestial beings, characterization of people, the single purpose and ideal of life to be interpreted in art.

Most of traditional folk paintings of India are executed on scrolls/ handmade papers. The colors used are largely made of vegetable dyes but in some instances contemporary colors are now used for their vibrancy. Folk art plays a powerful and integral role in studying the culture of communities. It is a living, breathing organic art form which shall never cease to exist.

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